‘I add the human touch’: the beautiful, bespoke work of Berlin’s last cinema poster artist

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Götz Valien is Berlin’s past movie poster artist, for much than 3 decades earning a humble surviving producing elephantine hand-painted movie adverts to bent astatine the city’s astir beloved historical cinemas – a trade helium says volition astir apt dice with him, astatine slightest successful occidental Europe. The studios’ ain promotional posters service arsenic a template, but Austrian-born Valien, 65, adds a distinctive popular creation flourish to each representation coupled with the quality of imperfection – portion of the crushed helium has managed to widen his vocation good into the 21st century.

“Advertising is astir drafting attraction and I adhd the quality touch, which is wherefore it works,” helium said. Valien’s enactment plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a surface siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play connected the German words for cinema and dinosaur.

Götz Valien with his representation    of Nicole Kidman successful  Jane Campion’s The Portrait of a Lady
Götz Valien with his representation of Nicole Kidman successful Jane Campion’s The Portrait of a Lady (1996). Photograph: Götz Valien

His nearly-7x9-metre canvases long-graced the “film palaces” of the German capital, including the majestic Delphi successful the westbound and the socialist modernist masterpiece Kino International connected Karl Marx Allee successful the east. But the former’s adverts yet went integer successful 2024, portion the second is closed for a years-long, top-to-bottom revamp. Dozens of autarkic cinemas among his clients person simply gone retired of business. The century-old Filmtheater americium Friedrichshain (FaF) is the past movie theatre successful Berlin inactive employing Valien to tout its caller releases, with his large-format posters covering its facade and interior walls astir the ticket-and-popcorn counter.

Valien’s poster for Pedro Almodóvar’s Volver
Valien’s poster for Pedro Almodóvar’s Volver. Photograph: Steffen Rothwww.steffenroth.com/The Guardian

Gazing up astatine his rendering of the kohl-eyed, flower-rimmed visage of Penélope Cruz from Pedro Almodóvar’s 2006 melodrama Volver, a classical inactive hanging successful the lobby, Valien sighed: “Isn’t she magnificent?”

Beyond vestiges of a arrogant contented successful countries specified arsenic Ghana, Nepal and India, Valien said lone a vanishing fig of movie theatres worldwide inactive utilized hand-painted posters. He knows of lone 2 colleagues successful Germany: successful Munich and Bremen. “Paris, Portugal – they each accidental sure, we had them, but those days are over.”

The FaF manager, Andreas Tölle, said the posters had go a cherished portion of the neighbourhood. “People present travel by erstwhile the caller ones are up and instrumentality pictures,” helium said. “And that fascination besides brings radical into the cinema.”

Movie posters person existed arsenic agelong arsenic the astir 130-year-old movie industry. But these days, fewer releases enactment agelong capable successful cinemas to warrant bespoke creation to advertise them, communications studies prof Patrick Rössler of the University of Erfurt, who has studied the past of movie posters, told section media. And astir autarkic cinemas don’t person the nett margins to spend them, adjacent astatine what Valien calls his bargain-basement prices.

Götz Valien’s posters extracurricular  Filmtheater americium  Friedrichshain successful  Berlin
Götz Valien’s posters extracurricular Filmtheater americium Friedrichshain successful Berlin. Photograph: Steffen Roth/The Guardian

Back astatine the location workplace that helium and his wife, Silke, bought decades agone successful the bosom of the Schöneberg neighbourhood’s historical queer red-light district, Valien recounted his accomplishment successful West Berlin successful the 1980s. When the Wall yet fell, helium was unimpressed with what helium recovered successful the east. “It conscionable seemed bittersweet and colourless, and past 1 time I realised what was missing – the billboards,” helium said.

After failing to summation admittance to movie schoolhouse – “in my opinion, the avant garde had mislaid its mode – it got excessively philosophical,” helium said – Valien returned to his archetypal love, painting, which helium had learned successful Vienna utilizing “old maestro techniques”.

Götz Valien successful  his Schöneberg studio
Götz Valien successful his Schöneberg studio. Photograph: Steffen Roth/The Guardian

In the aboriginal 1990s, helium recovered enactment with an advertizing steadfast – 1 of 2 Berlin studios producing painted movie billboards. His archetypal poster was for Steven Spielberg’s Hook, and Valien rapidly gained a city-wide estimation arsenic helium churned retired photorealistic posters successful conscionable 2 days, successful clip for the movies’ releases connected Thursdays. “Not to brag, but I was a Ferrari among horse-drawn carriages,” helium said of his competition. After the decease of 2 aged colleagues, Valien recovered himself the past antheral standing.

In his heyday helium could thrust down the elegant Kurfürstendamm, erstwhile location to dozens of cinemas, and each the movie billboards up and down the boulevard were his handiwork. “Now they’re H&Ms, Zara, Tommy Hilfiger …,” helium said.

Two of Valien’s posters connected  show  astatine  a cinema successful  Berlin
Valien’s artworks were erstwhile a communal show connected Berlin’s cinemas. Photograph: c/o Götz Valien

The spectacular occurrence of the 1997 blockbuster Titanic astir broke his concern arsenic it stayed successful the cinemas for months, blocking caller releases successful request of caller posters. Last year, Valien yet had to springiness up a overmuch larger dedicated workplace and an adjunct arsenic the orders dwindled. There helium had utilized a mechanical lifting level to screen the floor-to-ceiling canvases. “Painting astir each time successful that immense format is similar moving up Mount Everest barefoot,” helium said. “Exhausting.”

Valien estimated helium has created much than 3,000 posters implicit the years utilizing the acrylic paints that prevarication scattered among the brushes and spray guns astir his sunlight-flooded workshop. He declined to accidental however overmuch helium earns per poster, but says his movie enactment is fundamentally “non-profit” and a “labour of love” portion helium pursues different creation projects.

He remains unsentimental astir the posters themselves, noting that helium utilized to simply overgarment implicit erstwhile works to prevention wealth connected canvases. FaF has a tiny archive portion Valien maintains an active Instagram account showing himself successful ironic, hammy poses successful beforehand of his work. In honour of its 100th day and Valien’s decades of service, FaF is moving a Movies connected Canvas homage series of screenings paired with an accumulation of immoderate of his best-loved posters: Walk the Line, Frances Ha, Brokeback Mountain, Little Miss Sunshine and, not least, The Artist.

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